- Count View : 208
- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/1192
- کد doi مقاله: Doi: 10.22034/bahareadab.2022 .14 .5703
Journal of the stylistic of Persian poem and prose
volume Number 14،
number In Volume 11،
،
issue Number 69
A study and analysis of the stylistics of Masnavi "Sabhaha al-Abrar" by Abdolrahman Jami
Mansoureh Mashayekhi , Maryam Shayegan (Author in Charge), Maryam Gholamreza Beigi
Abstract
BACKGROUND AND OBJECTIVES: Stylistic studies reveal many literary, intellectual and linguistic features of different works in different eras and contribute to the study of the fields of literary history, grammar, literary criticism and even literary genres. This article examines the structure and the most important stylistic features of one of Noor al-Din Abd al-Rahman Jami"s Masnavi called "Sabha al-Abrar" in three areas of thought, language and literature.
METHODOLOGY: This research has been done by content analysis and library.
FINDINGS: Jami in this Masnavi follows a neat structure; This means that he divides his work into forty contracts and in each contract he first introduces the principle of mystical and moral principles and then mentions an anecdote and allegory to explain that principle and at the end he brings a few verses as prayers. Therefore, in addition to being mystical, this work was created for the education and training of seekers and has an educational aspect.
CONCLUSION: At the linguistic level, the choice of the weight of "verbs, verbs, verbs" has made this system irreplaceable from this point of view. Also, word games in the use of rhyme and line are special features of this system. At the literary level, regardless of the use of confrontation and allegory (which has served to understand the mystical and moral content of the work) there is not much innovation in the work and the element of imitation is seen in all its literary elements and arrays. At the intellectual level, since Jami is considered a follower of the Ibn Arabi school, in his system, among the components of this school, he emphasizes more on the two issues of "unity of existence" and "perfect man". Although Jami was a follower of the Naqshbandi school, there is no sign of the sect"s teachings in the morning.
Keyword
Sobhaha Al-Abrar
, Abdolrahman Jami
, Stylistics
, Linguistic level
, Literary level
, Intellectual level
- Afsehzade, Alakhan. (1999). Critique of Jami's works and biography, Center for Iranian Studies, under the supervision of the Office of Publication of Written Heritage, p. 56.
- Arbari, Arturjan. (1992). Classical Persian Literature, translated by Assadollah Azad, Mashhad: Rezvan, p. 406.
- Bakhzeri, Abdolvaase. (1992). Jami officials, second edition, with introduction by Najib Mayel Heravi, Tehran: Ney. P. 159.
- Bigdeli, Lotfali Beg Aga Khan. (1957). Atashkadeh Azar, edited by Hassan Sadat Naseri, Tehran: Heidari Printing House, P. 305.
- Hekmat, Ali Asghar. (1941). Jami, Tehran: Bank Melli Iran Printing House, p. 195.
- Jami, Noureddin Abdolrahman. (2007). Masnavi Hafteh Aurang, Edited by Morteza Modarres Gilani, Tehran: Ahura Mahtab. Mayell Heravi, Najib. (1998). Jami, Tehran: new design, P. 179.
- Safa, Zabihollah. (2004). History of Literature in Iran, Volume 4, Eleventh Edition, Tehran: Ferdows, pp. 360-361.
- Sedghi, Hosein. (2001). Jami's Thoughts in Masnavi Hafte Avarang, Journal of Tabriz Faculty of Literature and Humanities, 44 (178-179), Pp. 119-154.
- Shafiee Kadkani, Mohammad Reza. (1999). Persian literature from the Jami era to our time, Tehran: Ney Publisher, p. 18.
- Tajlil, Jalil and Fallah, Morteza. (2001). Poetry and Poets from the Viewpoint of Noureddin Abdolrahman Jami, Journal of the Faculty of Literature and Humanities, University of Tehran, 1 (3), Pp. 1-25.